Widespread use of a consistent set of KPIs can help the industry to achieve both of these objectives by providing a common language for comparison and analysis. To unlock this potential at scale, however, PAYGo solar companies will need to continually improve their performance and attract more diverse capital investment. Over the past decade, the industry has demonstrated the potential to achieve these goals. It was awarded the Prix du Patrimoine culturel immatériel at the Jean Rouch International Film Festival in Paris in 2008.The drive toward a generally accepted set of KPIs for the PAYGo solar sector is rooted in the desire to promote a healthy industry - one that can sustainably deliver energy access and a positive social, economic and environmental impact. Also international anthropology audiences appreciated the film, as evidenced by its long list of screenings at ethnographic and other film festivals.
In addition it may have been a matter of additional amusement to observe a white person trying to make sense of it all. We speculate that it might have to do with people from different ethnic backgrounds recognizing the common challenges of different mortuary rituals across Papua New Guinea. a film that also plays a role in recording and articulating emergent categories for cultural understanding and critique, in particular a new contrast between kastam (tradition) and kalsa (a more flexible form of cultural heritage).Ĩ The film also became popular on national television (EMTV), screened weekly for several months, but the reasons for this we have not investigated. From an early stage in the research it was clear to me that Baluan people were great improvisers, but they would always emphasize their adherence to traditional patterns and rules and not their deviance from them.ħ In Otto I discuss the film Unity through Culture. I have seen how after earlier screenings they have become more acutely aware of the public impact of filmed events.Ĥ As so often with this kind of project, it took time to secure the necessary resources.ĥ After the first screening we also showed the film to other audiences on the island, but the following analysis is based on the first session, which has become part of the film.Ħ It is important to emphasize that I talk about explicit statements, not cultural performance, here. Vávrová conducted an interesting experiment with showing films in a Papua New Guinean village whose people had no prior experience of watching films.Ģ Compare Crawford, where in a discussion of the discursive qualities of film he addresses similar questions, put in a different idiom, about the connection between actuality or presence and the critical potentiality of filmic images.ģ This assessment of the effects of filming on Sakumai and other family members is based on my long-term involvement with them and prior filmmaking.
, and Vávrová 2014 Vávrová, Daniela 2014 Cinema in the Bush. The latter is a well-established field of study, Moores 1993 Moores, Shaun 1993 Interpreting Audiences: The Ethnography of Media Consumption.
1 My focus is on how film creates an audience perspective for the participants in the filmmaking, not an investigation into how audiences more generally relate to and interpret a film.
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